Unconditional Love (of mangoes, dancing, and me)

Resisting body fascism through feminist noncompliance, creativity, and joy!

An anti-diet dance theater performance that uses an intersectional approach to understand anti-fatness in relation to capitalism, race, and patriarchy through an historic lens, current analysis, and personal experience. Using dance, song, storytelling, research, and projections, this one-hour show is also about body liberation, pleasure, dancing alone in the mirror, eating mangoes, and shaking off that which binds us.

Free. Open to the public. No tickets needed.

Friday, September 18, 2026, 5:00-6:00pm

Mahaney Art Center Dance Theater

Middlebury College, Middlebury, VT

  • Choreographer/Director: Rachel Frida Siegel in collaboration with the ensemble

  • Performers: Laura Haines, Winnie Looby, Alex Heisler, Zoraya Hightower, Hadley Mueller, Rhonda Doonan, and Rachel Siegel (see performer notes below)

  • Production and lighting director: Craig Mowery

  • Dancehall Choreographer: Raah Vibez

  • Kizomba Coach/instructor: Emma Ernst

  • “Capitalism” sound technician: Tyler Bolles

  • Videographer: Graydon Hanson

Sponsored by: Middlebury College Dance Department; Gender, Sexuality, & Feminist Studies Department; Black Studies Department; the Academic Enrichment Fund; the Committee on the Arts; and the Feminist Resource Center at Chellis House.

Music credits:

  • Viaja, Irina Barros

  • Toast, Koffee

  • Shikoku, Kate Simko and London Electronic Orchestra

  • Falaaz, Winnie Looby

Huge appreciation for the one and only Laurie Essig who initiated and made this opportunity possible through your work with the Gender, Sexuality, and Feminism Studies and your own passion. Thank you Harper Nichols for the support from you and the Feminist Resource Center at Chellis House. Immense gratitude to Lida Winfield and Bert Crosby who’s gorgeous dance theater and support gave us the space to do it! And special thanks to Sanctuary for Healing and Liberation for the generous use of your beautiful studio for rehearsals. 

Pleasure video contributors: Lauren Larken, Angela Robins, Fiona Robins, Jen Solin, Jennifer Monroe Zakaras, Anna Tosi, Amanda Northrup, and Lienne Bick

Unsplash photographers: Dylann Hendricks, Valeria Smirnova, Shane, Mathaus Heringer, Nsey Benajah, Monika Kozub, Prateek Katyal, Sami Chau, Afsal Shaji, Red Zeppelin, Olga Thelavart, Valentin Balan, and Pexels Karola

Sources:

“The Body is Not An Apology: The Power of Radical Self-Love;” Sonya Renee Taylor

“Fearing the Black Body: The Racist  Origin of Fat Phobia;” Sabrina Strings

“Anti-Diet: Reclaim Your Time, Money, Well-Being, and Happiness Through Intuitive Eating;” Christy Harrison

“Body Positive Power: Because Life Is Already Happening and You Don't Need Flat Abs to Live It;” Megan Jayne Crabbe

“Health at Every Size : The Surprising Truth about Your Weight;” Lindo Bacon

“Plucked: A History of Hair Removal;” Rebecca Herzig

Food Psych Podcast 

The Roxane Gay Agenda Podcast 

What it Takes To Heal Podcast

Sections of the performance:

  • Dancehall – choreography by Raah Vibez

  • What is the matter with me?

  • Cross the floor 

  • Facebook quotes

  • Witchy Sister Circle – choreography by Winnie with support from Zoraya

  • Diet culture 101

  • ABCDE12345

  • Monologue 

  • Amoeba w/vignettes

  • Winnie’s slide

  • Eat the mango (slurping involved)

  • Pleasure videos  

  • Kizomba (Note: this is about pleasure, musicality, and connection – we are beginners!)

Resources and Opportunities at Middlebury College:

Winter Term 2027 GSFS 1017 Anti-Diet/Body Liberation Show

Taught by Rachel Siegel

In this course we will co-create a multimedia dance-theater performance called Unconditional Love (of dancing, mangoes, and me). Blending dance, song, spoken word, recorded stories, and slide projections, this one-hour show explores eating disorders, patriarchy, capitalism, and racism while celebrating body liberation, pleasure, dancing in the mirror, and shaking off what binds us. Using texts (including Sonya Renee Taylor, Sabrina Strings, and Lindo Bacon), podcasts, personal stories, and research, participants will generate new material and also learn sections of existing choreography. The course culminates in a public showing. Grounded in an intersectional analysis of anti-fatness across race, class, and patriarchy, this course is both academic and intimate, using collective feminist creativity to resist body fascism and affirm self-love. For more information, contact rachel@towardliberation.net.

Let's Talk About It: Food, Eating, & Body Image Thursday 9/24, 5:00-6:00pm 

(20 Old Chapel Road - Health and Wellness Education Office)

Many people are in recovery from challenges with their eating and body image. Attend an engaging peer-led presentation examining and dismantling societal misconceptions about people's relationship to food, eating, body image, and exercise!

Feminist Resource Center at Chellis House (behind Proctor Dining Hall)

Provides a forum for the advancement of feminist issues with meetings, workshops, and social events.


Counseling (at Centeno House)

Students facing challenges with eating or body image can access confidential individual counseling. counseling@middlebury.edu

Health and Wellness Education (20 Old Chapel Road, next to Axinn)

Provides programming focused on body acceptance and finding a more peaceful relationship with food and movement. healthandwellnessed@middlebury.edu

Reflections and hopes

  • Rhonda Doonan

    Wish 1: We continue this conversation in our relationships, homes and communities until body liberation is no longer a radical idea or practice.

    Wish 2:  We dance and move in our beautiful bodies without judgment to access the joy that awaits us when we embody our divine nature.

  • Winnie Looby

    This project has been a special part of my creative life over the last few years.  After each iteration, I feel more self-acceptance and self-compassion than the time before. I feel blessed to have performed with these brave and amazing women, and I appreciate that YOU are spending time with us today!

  • Zoraya Hightower

    I was an audience member for the first iteration of this performance. It taught me so much, helped me unlearn more, and left me with hope for a world with body liberation. My wish for you all is to leave as transformed by this performance as I was when I was in your seat.

  • Hadley Mueller

    Being in this community and conversation has been so transformative. To really see (as in dance) and feel (as in dance) how entangled body control/autonomy is in oppressive and colonial ideals and standards has been revelatory. Unconditional love (of mangoes, dancing and me) has been one of the most powerful processes of unlearning that I’ve experienced, in part because it has bridged the intellectual and embodied. I hope you can feel it too.

  • Laura Haines

    I have been working at disentangling myself from diet culture for over ten years now. I have done so through reading, listening to podcasts, research, personal therapy, and even scholarship as a Library Faculty member at the University of Vermont. The opportunity to process concepts of patriarchy, misogyny, white supremacy, homophobia, ablism, capitalism and healthism in an embodied way through improvised movement, choreography and theater has been an enormous gift. I am grateful to do so in community, with these inspiring, smart, thoughtful, kind, fun, and creative women.

  • Alex Heisler

    Being a part of this performance has surrounded me with these incredible and fiercely powerful people who have received the same messaging I did that taught us to play small, hide, be still, and feel ashamed for parts of ourselves. I’m painfully reminded about how these systems are created to keep us separated and fearful of each other, while those same systems benefit from our anxieties. Hearing similar experiences and knowing that they are so common ignited this passion within me to continue to seek community and common ground. This dance has challenged the commands of the oppressive system by asking us to take up space, witness humanity, and showing up big in order to heal the divide between our own joy, bodies, minds, and communities. 

  • Rachel Frida Siegel

    Having the support of Middlebury College and of all my collaborators and co-creators moves me to tears. I have such deep passion for body liberation. Even so, I sometimes wonder if this is the best use of my energy, to make a show about my eating disorder, during this time of multi crisis and collapse. But then I remind myself that it’s about so much more than my pathology. It’s about our collective experiences, collective resistance, and the creation of a new way of being in relationship to ourselves and each other. I hope you feel included in this journey.

About Rachel Frida Siegel

I have studied, danced, and performed in Boston, NYC, San Francisco and Philadelphia. Most of my choreography has been multi-generational, site specific work, and/or political street theater. I usually work with people who do not have a formal dance background. My studies of dance have spanned jazz, tap, ballet as a kid, to modern and contact improvisation as a teenager, and then into more avant garde performance art and street theater including radical cheerleading in my 20s and 30s. I was part of a feminist suck-core band with my friend Selene called Muffin in the 90s. In the last year and a half I discovered my love for partner dancing -- especially Bachata and most recently Kizomba. I was a dance major at Bryn Mawr college.

Additionally, I am a community and political organizer with a small business called Toward Liberation doing equity consultation and education.  I believe everyone can dance and that dance can be healing.

You can read more about me here.

Rachel dances with lettuce in the produce department

Rachel, a white middle aged woman with glasses and curly brown hair eats a whole mango with her hands. She is outside with sunflowers behind her.

Thank you for coming!

We’d love to know what you thought and felt, if you have any questions, and if you have ideas for where this show should go next.

All questions are optional and confidential. Even if you just answer one of the questions, we value your feedback.